Okay, I’ve been writing this long piece for Ten4 Magazine. The main narative is written and, subject to some heavy proof reading and editing, Editor Nick is happy with it. But he thinks there should be some asides, probably done in the style of comments, giving practical examples and explaining some bits.
But because I’ve been absorbed in this bloody thing all week and I’m knackered I can’t get a fresh perspective. So I’m asking for help.
Here’s the current draft. If you have a spare moment or ten please have a read through and pick out any bits that you think could do with a bit of explaining. Copy the sentence in question and dump it in the comments here or email it to me if you’d prefer. Then I can use this as a jumping off point to bash out some clarification.
And I’ll be ever so grateful.
When’s your deadline? I’m dead busy until the weekend, but I could have a proper look at it on Sunday.
Ignore my question. Have read the article and sent feedback by email.
Back to work…
It all seemed pretty self-explanatory to me. I even learned a couple of new things!
Whats the word count on this thing supposed to be ? You use a lot of casual padding words on this, which is part of the working metaphor, but maybe too many ?
I had to write a reflexive essay for a modular assignment on film reviewing. I wrote that I were able to write concisely because I learnt, with TRS2 to come up with very strict limits to word counts and that sort of training never goes away